Following three critically acclaimed solo albums, Sarah Mary Chadwick’s Roses Always Die expands on the quiet intensity of her previous work, exploring memory, grief and personal analysis. Her unflinching approach to songwriting introduces complex, often difficult subject matter as vivid as it is understated. An old immobile organ provides the only accompaniment to her voice, giving the album an eerie consistency that perfectly underpins the diverse, open-ended narratives that run through each song.

Most of their improvisational live shows have been recorded and released on the band’s website. A new album will be coming out this year on the Blast First label. Signed to Danger Mouse’s ’30th Century Records’ https://coinbreakingnews.info/ and released via Columbia in the UK, this is the debut solo album from Vampire Weekend drummer Chris Tomson. A 10 track album, produced by Pat Carney , including the singles “Death Wish” & “Tell The Truth”.

  • The album comes in screenprinted sleeves, all of which have been hand embellished and are individually numbered.
  • We previously featured two songs of theirs on Vegetarian Meat Vol 2.
  • Previously only available as a cassette only edition on the Italian Beach Babes label, Night Jukes gets a well deserved release onto vinyl.
  • Here the outward-looking spirit of 1971 and the anything-goes mentality of the Scandinavian freaks of yore is transposed elegantly to a modern era in need of new horizons, and in a manner refreshingly bereft of retro chic.

Turnquist’s latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer.

The music drifts to and through the Aquavit Terrace -a nice accompaniment on warm, sunny days. Würzburg, GermanyWürzburg is a city in Bavaria in southern Germany. It is located on the River Main and is famous for its lavish baroque architecture and Franconian wine. The Residence Palace is a UNESCO World Heritage Site and is highly recommended. It is a well known example of Baroque architecture with its acclaimed staircase, impressive frescos and imperial hall.

The record also includes some guest appearances from Zs front man Sam Hillmer, Justin Frye of PC Worship (Upright Bass on “You Only Have”) and Jonathan Schenke (Parquet Courts’ engineer and member of Eaters). MATT LAMKIN and MATTHEW MCLOUGHLIN were high school friends who started the MUSLIMS in 2007, indulging in their love for the Modern Lovers, punk rock and power pop. The band released a self-titled LP on 1928 Records and a 7” on I Hate Rock n Roll before changing their name to the SOFT PACK and releasing LPs on Mexican Summer and Kemado, culminating in a performance on David Letterman in 2012 and a video with Bob Odenkirk of Breaking Bad, Better Call Saul, Mr. Show, etc. With the video release of “City Job” at the end of 2013, and the Slave Vows album still making people talk, it was time to put these songs to wax, prepare the world for The Icarus Line’s next move. Five tracks spread over the two sides, this mini album serves as aSlave Vows booster jab, the feral verocity of the last album is in spades here, maybe even more so, the fire in the band’s belly is roaring, and its only when the last track closes down do you realise quite fully, the impact.

Limit of Love follows acclaimed Harlequin Dream, a gold album after a #1 debut in Australia. The band has been featured on ‘ones to watch’ lists for USA Today, Huffington Post and Uncut. It’s a captivating, call-to-arms take on modern punk that’s drawn more than a few eager ears – that “monstrous noise” was heralded by The Guardian at the start of 2016, while NME praised their “abrasive post-punk that’s big on atmosphere and meaning”. DIY joined them in dubbing Abattoir Blues one of 2017’s most essential new acts – further nods from Noisey and Radio 1’s Huw Stephens followed. After being diagnosed with a mysterious autoimmune disease affecting his kidney in addition to crippling untreated depression, he went underground. After releasing debut album ‘No Thrills’ via Double Denim Records in 2013, Amateur Best returns with ‘The Gleaners’, his second full length, via Brille Records .

After a day shopping, head to one of the many Brewery pubs for some popular German beer. Bamberg is famous for its beer and is where its name originated from, with the town being populated by nine traditional breweries. Koblenz, GermanyLocated in the West of the country, Koblenz is one of the oldest cities in Germany.

Live Ruby Suns member and long time sonic guru of McPhun’s Bevan Smith (Introverted Dancefloor/Signer) visited Norway with his Eventide Harmonizer and assisted with the final mix of the record. It began in earnest upon moving to Oslo, Norway from Auckland in 2013’s twilight with impending fatherhood tapping him on the shoulder. A slowly ripening thing, it was made amidst child rearing and touring with NZ pals Lawrence Arabia and remixing, recording and touring with Norwegian acts like Snasen, Heyerdahl and Beezewax. For their new record, In the Sodium Light, The Renderers take a step back from the furious chug of their last album, A Rocket Into Nothing. Instead, they appear to be representing the landscape of their new home.

Working For A Nuclear Free City

‘Dream Underground’ shows a giant leap forward in song-writing and approach, realising their aim to make a huge and satisfying rock album that could rattle the ribcages and fuel the imaginations of as many people as possible. It begins in style with the Gil Norton-produced ‘Get A Life’, a riff-fuelled punch in the gut, which serves as a delicious warning of what is to follow. It’s a down and dirty juxtaposition of dark and light, grit and sweetness, grinding riffs and explosive melody – a theme that continues throughout the record. The idea of hedonism and its consequences is often at the heart of their songs.

lif price winding tree

In 2010 Bella Union introduced a storyteller dressed in black, pedaling ballads of murder on critically lauded album ‘The Devil and I’. Geelong delinquents The Living Eyes will unleash a new, 10-track slab of stompers via Agitated Records. Leeches and Seeds is a frenetic blast of noise with Hallets drums threatening to collapse your ears, driving you into live favourite Junkadelic. The bastard offspring of Clinton and Bargeld this grooves and slithers, winding its earworm abilities into your whole shuddering psyche…..

Forgoing lo-fi, BBQ is reinventing the one-man band, taking it back, for a loud, clear and raw sound; helmed by great songs, sung truly and passionately. Recorded by himself in his basement, live in one to two takes — twelve brand new killers. Josh Scott is ready to unveil the unique and stunning fruits of his labour on his self-titled debut album as the distinctively named Aero Flynn – a record that may never have seen the light of day, had it not been for his old friend Justin Vernon of Bon Iver fame. They make beautiful, groove-laden music that seamlessly blends jazz, disco, funk and R&B into a bold and playful sound uniquely their own; synthetic beats play alongside live drums, delayed guitars and shimmering saxophones to create something musically rich and delightfully intricate.

TRACK LISTING

“It was the day that Princess Diana died,” the former R.E.M. guitarist says. “I remember thinking, ‘Where did these people come from?’ It was a totally unique take on what punk rock was.” He told Rolling Stone. The Flexibles bend space and time, flex your head, space your Punk, a jarring lightning bolt of truth to the heart of the matter. Comprised of Richard Youngs, his young son Sorley Youngs and family friend Andrew Paine, they operate within Glasgow city limits, outsiders in an outsider culture.

They then collected a majority of the two Eps on the Subtle Bodies compilation album . Labrador spent a year recording the album herself despite a hand injury that made guitar playing and production work difficult and physically painful. Recording between the band’s illegally rented rehearsal space and a cramped apartment compounded a sense of tension and isolation as the two struggled to not only finish the album but to also stay afloat in a city that is increasingly hostile to artists, and where the threat of eviction constantly looms. This underlying uneasiness and discomfort can be heard in these recordings, and it works not to mar their beauty but rather to emphasize it by contrast. In contrast to the debut album, ‘Cartographer/Explorer’ is a much more ambitious affair.

Amateur Best is the alias of Birmingham-based ‘personal pop’ musician, songwriter and producer Joe Flory. Sydney’s Au.Ra, a duo composed of Tim Jenkins and Tom Crandles, are set to release their new full length Jane’s Lament, a work which carefully envelops the listener in dreamy hues of sound. Made over the course of two years, the LP was birthed from improvised jams the pair play over droning guitars and looped drum beats. Tracks like “Sun,” and “Pyramid” emerge slowly out of interplays between simple melodies and layered, reverbed instrumentation. Gold, native son of San Francisco, grew up in the hangover that followed free love – son of Beat-adjunct writer Herbert Gold – and was raised with various step-families by his mother Melissa, who was tragically killed in a helicopter crash with the legendary rock promoter Bill Graham. For Ethan, the escape was always into his songs and the dreams where he hears them.

  • Songs that make up Blackout, the band’s eagerly awaited follow up and soon to be released revelation on RidingEasy Records.
  • I eventually choose to learn to mix the record myself, design my own fantasy image and then have that world disappear.
  • He spoke of locking himself away in his house and almost trying to shed the ‘musicians skin’ he had been living in.
  • The title is a reference to the genre known as “Exotica”, which represented the escapist dreams of a generation of American salary-men and housewives in the 50s and 60s.

The tapes were then driven back down the Hume highway and finished off in a couple of West Geelong bedrooms before being sent off to Australia’s mixing master, Mikey Young. Service Industry extends the tensions begun with Lushes’ debut album, What Am I Doing. In their first album, the themes of anxiety were often held back in pursuit of serene moments, brief escapes from our mundane lives. With Service Industry, Lushes give you something more raw, more guitar-and-drum driven, more primal. Here, pianos sound like sledgehammers, and saxophones like wailing widows.

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Vision Fortune can take a single idea and run with it, each track becoming a hypnotic meditation of repeato-rock discipline. Taking elements of raga, middle eastern vibes and kraut, Vision Fortune reprocess these into something altogether more ritualistic and uniquely woozy as they guide you through a feverish suite of exotic, undulating grooves. The album continues on to ‘Hospital Room’, where wiry guitar leads and ominous chords provide the soundtrack to a scene of misery and tragedy within the sanitized walls of Western medicine. Tall Tales And The Silver Lining are a Los Angeles based band led by songwriter Trevor Beld Jimenez.

Dawn of a new vibration out of his occult pedigree in so many spaced out earth objects (Death Chants / Aswara / Von Himmel / Mendocino). Bookstaber also logged golden hours with Time-Lag and that deep scene. Mined private press vision with his own Azriel and Humito imprints, shucked handmades—there’s also his groove and howl with the wolfpack in the MV / EE axis. Iron Maiden this is not, shipbuilding it sails, four sail and many years ago I was there, so was Rafi’s fi.

Kreol Lovecall

After releasing two strong albums within a mere 11 months, the DeSoto Caucus has taken their time completing this upcoming release. “4” is an album marking a change in the band’s modus operandi; after consistent touring and shows everywhere from humble Reeperbahn bars to imposing concert halls, the former musical collective has steadily become more of a tight knit gang of four. Having picked up a great deal of dexterity in handling musical curve balls through years of touring and recording as Howe Gelb’s Giant Sand, the intuitive way of playing is ever present. Along with still more personally engaged songwriting, the sound of the band is significant, intriguing and utterly unique. At the same time, though, fans of the band will recognize new flavors not only in the fat sounds oozing from the album, but also in the expanded collaborative efforts of Heyman and Pedersen on stories of frailty, detachment and rupture. Following 2009’s debut album Make Lists Do Something, Images Rolling is a further exploration of the musical playground that is Magic Arm’s world.

  • This is rock n roll to the core and definitely not your parents kind of party.
  • Singer and multi-instrumentalist Rico Conning continued working at Guerilla, spending the better part of the 80s engineering and remixing such artists as Wire, Coil, Swans, Renegade Soundwave, Depeche Mode and many others of your favourite bands, often in collaboration with Mute’s Daniel Miller.
  • Though the album is devoid of any overt feminist sentiments, here Stacian covertly samples a male voice man-splaining electronic music before burying him in electronic sludge.
  • Donovan chopped them up and fed them through his sampler, warped, pitch-bent snippets of notes, rhythms and loops spanning disparate portions of musical history.

Educated from The Academy Of Fine Art in Oslo, she composes music for stage and screen as well as doing art projects with sound, video and installations. In co-operation with choreographer Ingri Fiksdal and scenographer Signe Becker past ico review she has made the acclaimed dance performances “Orchard Ballads” and “Night Tripper”. “Night Tripper” won the Oslo Award in 2012 and has since been toured extensively in Europe, and had its US premiere in April this year.

At times, Fox’s lyrics bring to mind the emotional distress and social reservation seen in Wire and Wall of Voodoo. The fact that their sound is so violent and tense as to be physically disarming is almost deceptive; the members of So Stressed are kind, conscientious and smart young men. Writing this album took more than two years due to a common habit of throwing away fully formed songs deemed to be even slightly less than perfect. All this was done with no goal in mind – if no one wanted to release it, Fox says, “we were just going to delete it.” Honor Press could not be more pleased to offer this as our first release. Buskers by day, noise-makers by night, ‘Severed Limb Strikes Again’ sums up the band’s tormented, vastly defiant look at the world and all its ills; from drink and drugs, even to love. From busking with washboards to recording raucous rock in pub basements, Severed Limb are the epitome of DIY.

It’s one of those introductions that leaves a huge impression without making a big show of it. Hello Friends continues Crase’s tendency for the thoughtful arrangements, ’90s-tinged frankness and dizzying harmonies that have led her from strength to strength, this time adding a deeper layer of emotional reflection to an already enduring sound. These songs, as delicate as a snowflake on a summer beach, unmoor one from the drudgeries of place and time, and Hello Friends confirms Summer Flake as a band to watch. Formed in 2005, Chapel Hill, North Carolina’s Spider Bags were largely a revolving cast, with only Dan McGee persevering through the various incarnations of the band.